Molly Joyce

Many thanks to I Care If You Listen for premiering video for ABC, performed by Kimberly Sparr and produced by Four/Ten Media!

Listen/watch here.

Mention in The New Yorker and New York Times for upcoming collaboration with Jerron Herman, as well as share a new music video of ours, produced by Four/Ten Media!

Show premieres Nov. 12, 15, and 16 at NYC’s Danspace Project: danspaceproject.org/calendar/herman-joyce

Honored to be added to the Murphy Music Press catalog alongside Amanda Feery, with our recent works premiered by Ball State Symphony Band and conductor Caroline Hand!

Listen/peruse here: murphymusicpress.com/products/w-485

New York Times mention with the one and only Jerron Herman!

Nov. 12, 15-16 at Danspace Project 💃danspaceproject.org/calendar/herman-joyce

“And the choreographer Jerron Herman teams up with the composer Molly Joyce to explore congenital and acquired physical immobility in ‘Breaking and Entering’ (Nov. 12 and 15-16)”

nytimes.com/2019/09/12/arts/dance/fall-dance-calendar

Very grateful to receive a Lift grant from Greater Pittsburgh Arts Council! Toy organ album coming soon 🎹🎹

“awarded to Molly Joyce to complete ‘Breaking and Entering,’ a full-length album that draws upon experience and education as a composer, practice as a performer, and pursuit of a comprehensive artistic practice grounded in reimagining disability.”

PRESS RELEASE

Excited to share latest video collaboration with Maya Smira! ✨

Great review for recent Albany Symphony Festival in I Care If You Listen!

Honored to have participated with Michael Hammond, Marco Grosse, Lucy Dhegrae, Nathaniel LaNasa, Christopher Dylan Herbert, and more 🙏

“Joyce’s ethereal vocals, vintage toy organ, and electronic soundscapes created an exquisite expansiveness…other performances also focused on women, particularly Molly Joyce’s YousaidShesaidHesaid, a set of songs that traced the same timeline as Schubert’s song cycle Die Schone Mullerin, but from the perspective of the “girl of the mill” herself. Dhegrae sang the part of the mill girl in Joyce’s dreamy indie-pop songs and showcased her ability to seamlessly move from wispy ethereal to focused power. Between Joyce’s songs, baritone Christopher Dylan Herbert sang the original Schubert with ultimate clarity and intimacy. Though the two distinct styles of music and text occasionally took away from the narrative coherence, the work as a whole was quite effective.”

Incredibly honored, excited, and grateful to be joining Halcyon Arts Lab in the fall! DC see you soon 🏛🇺🇸