Wall of Mirrors (2019) 5′
for TTBB choir
commissioned by Harvard Glee Club
text by Marco Grosse
FP: February 21, 2020 at Harvard University in Cambridge, MA
The End (2019) 5’30”
for mezzo-soprano and electric organ
text by Molly Joyce, video created in collaboration with Maya Smira
FP: May 21, 2019 at Swatch Art Peace Hotel in Shanghai, China
Think Out Loud (2018) 5′
for voice and electronics
text by Molly Joyce, produced by Bec Plexus
FP: September 7, 2019 at Gaudeamus Muziekweek in Utrecht, Netherlands
Form (2017-18) 24′
for soprano, clarinet/bass clarinet, soprano saxophone/baritone saxophone, percussion
four songs (can be performed separately or together):
Conform 5′ — score preview — buy now
Deform 7′ — score preview — buy now
Reform 6′ — score preview — buy now
Transform 6′ — score preview — buy now
commissioned by VONK Ensemble, with support from Fonds Podiumkunsten
text by Molly Joyce
FP: January 21, 2018 at Podium 111 in Tilburg, Netherlands
Redesign Our Time (2017) 3′30”
three arrangements:
– for mezzo-soprano and piano — score preview — buy now
– for mezzo-soprano, cello, percussion (one player), piano — score preview — buy now
– for soprano, guitar, cello — score preview — buy now
commissioned by The Canales Project / Vital Voices, as part of The Canales Project’s Hear Her Song initiative
text by Jacqueline Suskin
FP: March 7, 2017 at House of Sweden in Washington, DC
This River (2016) 6′20”
two arrangements:
– for mezzo-soprano and piano — buy now
– for mezzo-soprano, flute, oboe, clarinet, harp, percussion, violin, viola, cello, bass — score preview — buy now
commissioned by Albany Symphony Orchestra
text by Molly Joyce
FP: June 11, 2016 at St. Paul’s Cathedral in Troy, NY
YousaidShesaidHesaid (2014-15)
for soprano and fortepiano
Created in collaboration with playwright Christopher Oscar Peña, director Austin Regan, and fortepianist Patrick Jones, YousaidShesaidHesaid juxtaposes modern perspectives with Schubert’s masterpiece song cycle Die Schöne Müllerin.
Written to be performed in rep with the classic work, YousaidShesaidHesaid traces the same timeline as Schubert’s work, but from the experience of the other character in the story, who until now has historically had no voice – the “girl of the mill” herself. Composed for a single female voice and the same period instrument used in Die Schöne Müllerin, the new work will also incorporate electro-acoustic elements and use sampling, live processing, and other digital technology.
FP: March 23, 2014 at HERE Arts Center in New York City and May 30, 2015 as part of VisionIntoArt’s FERUS Festival at Pioneer Works in Brooklyn, NY
One 6′ — score preview — buy now
East River 5′ — score preview — buy now
This Used to be a Story 6’30” — score preview — buy now
please contact for performance inquiries
Glow (2014) 5′
for SATB choir
commissioned by The New York Virtuoso Singers
text by Caitlin Kenzie Scott and Molly Joyce
FP: November 15, 2014 at Merkin Hall in New York, NY