Selected reviews, interviews, and features
“enormous expressive range…combination is both effective and affecting."
— Allan Kozinn, Wall Street Journal (2025) — read full article
“Layering spoken interviews about the experience of disability with pulsing minimalist fugues, Perspective is a powerful work of love and empathy that underscores the poison of ableism in American culture…She points her listeners toward a radically simple, if not entirely foregone conclusion: the idea that each person, regardless of their bodily differences, deserves to build their own comfortable and dignified life.”
— Allison Hussey, Pitchfork (2022) — read full article
“Molly Joyce is among of the most versatile, prolific and intriguing composers working under the vast new-music dome…If there’s such a thing as a spirit of entrance, Joyce’s music is suffused with it: It offers everyone a way in. And for young artists with disabilities seeking to define virtuosity on their own terms, it offers a path forward.”
— Michael Andor Brodeur, The Washington Post (2020) — read full article
“In a 2017 TEDx Talk, Joyce described how composing on this instrument allowed for a creative process that could move beyond the binary of ability and disability. Proof of her breakthrough is abundant throughout ‘Breaking and Entering; the musician’s debut full-length solo album…All those affections can be heard on the album’s opening track, ‘Body and Being,’ in which sustained chords, MIDI tones and her dream-pop vocals work together to produce an airy, liberating sensation.”
— Seth Colter Walls, New York Times (2020) — read full article
Molly Joyce: Strength in Vulnerability
— Frank J. Oteri, NewMusicBox (2020) — read full article
All press (chronological):
Album Reviews
Disability Arts Online, October 2025 — read full article
The Wire, August 2025 — read full article
Night after Night, July 2025 — read full article
Treble, July 2025 — read full article
Bandcamp Daily, June 2025 — read full article
Night After Night, November 2022 — read full article
The Road to Sound, December 2020 — read full article
Deep Voices, December 2020 — read full article
The Wire, August 2020 — read full article
New York Music Daily, June 2020 — read full article
AnEarful, June 2020 — read full article
The Road to Sound, June 2020 — read full article
Paste Magazine, March 2017 — read full article
New York Music Daily, February 2017 — read full article
Textura, February 2017 — read full article
Hartford Courant, January 2017 — read full article
AnEarful, December 2017 — read full article
The Wire, April 2015
Live Performance/Installation Reviews
I Care If You Listen, October 2025 — read full article
LA Dance Chronicle, May 2024 — read full article
The St. Louis American, November 2023 — read full article
I Care If You Listen, September 2023 — read full article
Chicago Read, March 2023 — read full article
Voice Magazine, July 2022 — read full article
Santa Barbara Independent, July 2022 — read full article
New York Sun, June 2022 — read full article
Dagblad van het Noorden, April 2022 — read full article
Bachtrack, December 2021 — read full article
Financial Times, December 2021 — read full article
LeeuwarderCourant, December 2021 —read full article
Around the Town Chicago, June 2021 — read full article
The Daily Gazette, June 2021 — read full article
Vulture, July 2020 — read full article
New York Times, May 2020 — read full article
Financial Times, May 2020 — read full article
New York Times, April 2020 — read full article
The Boston Globe, December 2019 — read full article
New York Times, November 2019 — read full article
The New Yorker, November 2019 — read full article
InfiniteBody, November 2019 — read full article
I Care If You Listen, June 2019 — read full article
Nieuwe Noten,March 2019 — read full article
Operawire, March 2019 — read full article
San Francisco Classical Voice, January 2019 — read full article
Washington Classical Review,January 2019 — read full article
Los Angeles Times, July 2018 — read full article
I Care If You Listen, June 2018 — read full article
New York Times, June 2018 — read full article
San Francisco Classical Voice, January 2018 — read full article
The Times of London, January 2018 — read full article
Das Klienicum, January 2017 — read full article
Albany Times Union, June 2016 — read full article
The Washington Post, April 2016 — read full article
Buenos Aires Herald, July 2015 — read full article
New York Times, May 2015 — read full article
The Wire, April 2015 — read full article
Milwaukee Journal-Sentinel, March 2015 — read full article
Interviews
Authority Magazine, October 2020 — read full article
15 Questions, August 2020 — read full article
Radio
NPR — The best new albums out July 11, Album long-listed on Best New Music column, July 2025 — listen to episode
New Sounds — #4655, Music for Organ, August 2022 — listen to episode
New Sounds — #4385, Recent Art-Pop, August 2021 — listen to episode
New Sounds —Weekly Music Roundup, April 2020 — listen to episode
Further Mentions
The Music Trust — virtuosity chapter review, April 2024 — read full article
New York Times — Han Chen Ligeti project preview, September 2023 — read full article
New York Times — NakedEye Ensemble recording review, August 2022 — read full article
New York Times — PROTOTYPE Festival review, January 2021 — read full article
I Care If You Listen,January 2021 — read full article
The Road to Sound — Video Premiere: Bec Plexus & Molly Joyce, “Think Out Loud”, July 2020 — read full article
Textura, April 2020 — read full article
Textura, October 2017 — read full article
PopMatters, September 2017 — read full article
I Care If You Listen, February 2017 — read full article
Village Voice, December 2016 — read full article
Pitchfork, November 2016 — read full review