Imperfection (2022) 12’

for string quartet

commissioned by Music Academy of the West

FP: July 20, 2022 by the Crimson Quartet at Music Academy of the West

Loud and Soft [quartet/fixed-instrumentation version] (2021) 10’

for percussion quartet

1) Percussion 1: Caxixi, Bongos (High Hit), Triangle

2) Percussion 2: Caxixi, Handclaps, Glockenspiel

3) Percussion 3: Caxixi, Bongo (Medium Hit), Triangle, Cymbals, Vibraphone

4) Percussion 4: Caxixi, Handclaps, Conga (Low Hit), Small Tambourine, Cymbals, Low Metal Pipes, Vibraphone (pipes pitches: D4, F4, G4, A4, D5, E5, F5, G5)

commissioned by commissioned by Sandbox Percussion and New Music USA's Creator Development Fund

written for inclusion of sound descriptions by Stefan Sunandan Honisch and Andy Slater

Anatomy is Destiny (2022) 7’

for violin and piano
commissioned by Adrian Anantawan and Live Arts Boston

FP: April 27, 2022 by Adrian Anantawan and Leigh McAllister at Rockport Music

Hit or Miss (2021) 4’

for percussion ensemble (nine players)
commissioned by Juilliard Summer Percussion Seminar (Samuel Solomon, Artistic Director)

FP: July 24, 2021 by Juilliard Summer Percussion Seminar musicians

One and Only (2020) 8’

for electric guitar and percussion (one player - vibraphone)

commissioned by Party of One (Liz Faure, guitar and Jess Tsang, percussion)

FP: July 10, 2022 by Party of One at Archestratus

 

Loud and Soft [open instrumentation version] (2020) 3’

for percussion ensemble (4 parts, flexible number of players + open instrumentation)

commissioned by Sandbox Percussion Summer Seminar at NYU

FP: August 7, 2020 by Sandbox Percussion Summer Seminar musicians

Release (2020) 4’45”

for cello quartet and percussion (two players)
commissioned by the Vermont Symphony Orchestra

FP: December 19, 2020 by Vermont Symphony Orchestra musicians

United and Divided (2020) 6'

for clarinet, piano, violin, cello

commissioned by Unheard-of//Ensemble

FP: July 1, 2021 via Metropolis Ensemble’s House Music Series

Fluidity (2020) 3’

for string quartet and percussion (one player)

commissioned by [sunflower]

Hit and Run (2019) 7’

for bass clarinet, percussion (one player), piano, and electric guitar

commissioned by Conduit, with support from Knight Foundation and The University of Miami’s Frost School of Music

FP: February 26, 2020 at Miami Light Box in Miami, FL

Uniformity (2019) 5’30”

for percussion duo
(instrumentation: 1 glockenspiel (can be played with desk bells), 2 triangles or other ringing metals, 2 bells (similar to ankle or Indian ghungroo bells), 2 shakers, 2 tambourines)

commissioned by consortium led by the New Works Project

On and Off (2019) 10′

for two pianists and chamber ensemble — flute, clarinet in Bb, tenor saxophone/baritone saxophone, percussion (one player), piano 1 (also plays toy piano), piano 2 (also plays inside piano), electric guitar, electric bass, violoncello

commissioned by NakedEye Ensemble

FP: June 19, 2019 by Ju-Ping Song, Kathleen Supové, and NakedEye Ensemble at Zoetropolis in Lancaster, PA

Light and Dark (2018) 7’30”

for flute, percussion (one player), and pre-recorded electronics

commissioned by The Midnight Sun Two (Kathryn and Christopher Eagles)

FP: August 2, 2019 by The Midnight Sun Two at National Flute Convention in Salt Lake City, UT

Less is More (2017) 7′

for percussion (one player – kick drum, glockenspiel, cymbals), piano, and optional lighting

commissioned by Justus and Elizabeth Schlichting for the Eighth Blackbird Creative Lab

FP: June 23, 2017 by Passepartout Duo at Besant Hill School in Ojai, CA

Queen (2017) 7’30”

for percussion duo (percussion 1: glockenspiel, desk bells, kick drum; percussion 2: vibraphone)

commissioned by consortium led by Balanced Structure (Kathryn Irwin & Emily Strachan)

FP: November 16, 2017 by Caitlin Cawley and Tamika Gorski at Manhattan School of Music in New York, NY

Down and Out (2016) 5’30”

for violin and piano

commissioned as part of On Behalf by Brianna Matzke and Hajnal Pivnick

FP: February 19, 2017 by Brianna Matzke and Hajnal Pivnick at The Cell in New York, NY

Compare and Contrast (2016) 8’30”

for flutes (piccolo, flute, alto flute – one player) and cello

commissioned by Pieces of Eight: Martha Cargo and Ben Larsen

FP: November 6, 2016 by Martha Cargo and Ben Larsen at Orthodox Cathedral of the Holy Virgin Protection in New York, NY

Bite the Dust (2016) 6′

for flute, clarinet in Bb, tenor saxophone, percussion (glockenspiel + kick drum), piano, violin, cello, and pre-recorded electronics

commissioned by the Grand Valley State University New Music Ensemble for their National Parks Project

FP: July 1, 2016 by the Grand Valley State University New Music Ensemble at Badlands National Park in Interior,  SD

Lost and Found (2016) 6′

commissioned by Echo Chamber

FP: May 20, 2016 by Echo Chamber at the DiMenna Center in New York, NY

three arrangements:

for clarinet in Bb, vibraphone, piano, violin, cello, bass (arranged for Echo Chamber)

for soprano/alto saxophone, vibraphone, electric guitar, piano, violin (arranged for Kluster5)

for flute, clarinet in Bb, vibraphone, piano, violin, cello (arranged for Brightwork newmusic)

Black and White (2015) 5′

commissioned by the Resonant Grounds Initiative in Debrecen, Hungary

FP: June 2, 2015 by Robert Fleitz and David Nagy in Copenhagen, Denmark

two arrangements:

for bassoon and piano

for flute/piccolo and piano

Chic (2014) 3’30”

for percussion trio (snare drum/triangle/kick drum, cabasa, glockenspiel)

FP: July 31, 2014 by Robby Bowen, Caitlin Cawley, and Neil Rao at Small World Coffee, Princeton, NJ