Into the Light (2022) 5’

for trombone and pre-recorded electronics

commissioned Brent Mead

Illumination (2022) 8’30’’

for solo percussion and pre-recorded electronics (vibraphone, kick drum, glockenspiel or aluminum metal pipes, sizzle cymbal or suspended cymbal, two woodblocks or granite blocks)

commissioned by consortium of percussionists led by Hunter Gross

Embodiment (2022) 5’

for harp

written for Chelsea Lane and made possible by a grant from the American Harp Society, Inc.

Figure and Form (2022) 9’

for solo vibraphone

commissioned by the Well-Behaved Women Seldom Make History Project, led by Emily Salgado

It has not taken long (2021) 6’

for cello and pre-recorded electronics

commissioned by Inbal Segev

Electricity (2020) 5′30’’

for electric guitar and distortion

written for Chad Kinsey and commissioned as part of NakedEye Ensemble’s Soloing2020 project

FP: August 27, 2020 as part of NakedEye Ensemble's Soloing2020 project (online)

Purity (2020) 6′

for prepared vibraphone (with foil) and cymbals (one player)

commissioned by Bang on a Can with support from Raulee Marcus, written for David Cossin

FP: May 3, 2020 via Bang on a Can Marathon (online)

Crash and Burn (2017) 7′

for drum set and pre-recorded electronics

commissioned by Evan Chapman

FP: July 11, 2018 by Evan Chapman at Indiana University in Bloomington, IN

High and Low (2017) 10′

for piano

commissioned by Robert Fleitz

FP: April 21, 2017 by Robert Fleitz at The Juilliard School in
New York, NY

ABC (2016) 6′

for viola and pre-recorded electronics

commissioned by Texas Tech University for Kimberly Sparr

FP: March 1, 2018 by Kimberly Sparr at the Mississippi University for Women in Columbus, MS

Head to Toe (2015) 4’30”

for solo percussion (glockenspiel, ankle bells, desk bells)

commissioned by Mike Truesdell

FP: November 18, 2016 by Mike Truesdell at University of Northern Colorado in Greenley, CO

Rave (2015) 11’30”

for piano and pre-recorded electronics

commissioned by Vicky Chow, made possible by a grant from the American Composers Forum with funds provided by the Jerome Foundation

FP: July 16, 2015 by Vicky Chow as part of the Bang on a Can Summer Festival at MASS MoCA in North Adams, MA

Shapeshifter (2015) 6’30”

for violin and live + pre-recorded electronics (live electronic processing optional)

commissioned by Monica Germino and Frank van der Weij

FP: April 10, 2015 by Monica Germino and Frank van der Weij at the Korzo Theater in The Hague, The Netherlands

Sit and Dance (2012) 6’40”

for baroque cello and pre-recorded electronics (can also be performed on modern cello)

commissioned by Paul Dwyer

FP: December 19, 2012 by Paul Dwyer at The Juilliard School in
New York, NY