Purifier (2024) 10’30’’
for pipe organ
commissioned by Evalyn Cogswell
Affection (2023) 5’
for piano
commissioned by Brianna Matzke
Into the Light (2022) 5’
for trombone and pre-recorded electronics
commissioned by Brent Mead
Illumination (2022) 8’30’’
for percussion and pre-recorded electronics (vibraphone, kick drum, glockenspiel or aluminum metal pipes, sizzle cymbal or suspended cymbal, two woodblocks or granite blocks)
commissioned by consortium of percussionists led by Hunter Gross
Embodiment (2022) 5’
for harp
written for Chelsea Lane and made possible by a grant from the American Harp Society, Inc.
Figure and Form (2022) 9’
for vibraphone
commissioned by the Well-Behaved Women Seldom Make History Project, led by Emily Salgado
It has not taken long (2021) 6’
for cello and pre-recorded electronics
commissioned by Inbal Segev
Attack and Sustain (2021) 10’
for clarinet and pre-recorded electronics
commissioned by Lucy Abrams-Husso
Electricity (2020) 5′30’’
for electric guitar and distortion
written for Chad Kinsey and commissioned as part of NakedEye Ensemble’s Soloing2020 project
Purity (2020) 6′
for prepared vibraphone (with foil) and cymbals (one player)
commissioned by Bang on a Can with support from Raulee Marcus, written for David Cossin
Crash and Burn (2017) 7′
for drum set and pre-recorded electronics
commissioned by Evan Chapman
High and Low (2017) 10′
for piano
commissioned by Robert Fleitz
Lo and Behold (2016) 7’30”
for bass drum
commissioned by West Chester University for Ralph Sorrentino
ABC (2016) 6′
for viola and pre-recorded electronics
commissioned by Texas Tech University for Kimberly Sparr
Head to Toe (2015) 4’30”
for percussion (glockenspiel, ankle bells, desk bells)
commissioned by Mike Truesdell
Rave (2015) 11’30”
for piano and pre-recorded electronics
commissioned by Vicky Chow, made possible by a grant from the American Composers Forum with funds provided by the Jerome Foundation
Shapeshifter (2015) 6’30”
for violin and live + pre-recorded electronics (live electronic processing optional)
commissioned by Monica Germino and Frank van der Weij
In Between the Cracks (2013) 5’30”
for marimba
commissioned by Joshua Spaulding
Lean Back and Release (2013) 7′
for violin and electronics
commissioned by Adrianna Mateo
Dew of the Moon (2012) 5’30”
for alto saxophone
commissioned by Don-Paul Kahl
Sit and Dance (2012) 6’40”
for baroque cello and pre-recorded electronics (can also be performed on modern cello)
commissioned by Paul Dwyer
Blue Swell (2012) 7′
for violin and organ (organ part can also be performed as pre-recorded track)
commissioned by Mariam Machaidze